{"id":19215,"date":"2024-02-14T06:57:31","date_gmt":"2024-02-14T06:57:31","guid":{"rendered":"https:\/\/uraniarecords.com\/prodotto\/a-cinque\/"},"modified":"2025-04-14T06:25:04","modified_gmt":"2025-04-14T06:25:04","slug":"a-cinque","status":"publish","type":"product","link":"https:\/\/uraniarecords.com\/de\/prodotto\/a-cinque\/","title":{"rendered":"A Cinque"},"content":{"rendered":"<p><strong>A Cinque<\/strong>\u00a0 String Sonatas between XVII &amp; XVIII Century<\/p>\n<p>&nbsp;<\/p>\n<p>GIOVANNI LEGRENZI (1626-1690)<\/p>\n<p><em>Sonata op. 8 n. 12 \u201cLa Marinona\u201d\u00a0<\/em><br \/>\n<em>Sonata op. 8 n. 11 \u201cLa Fugazza\u201d<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>GEORG MUFFAT (1653-1704)<\/p>\n<p><em>Sonata prima da Armonico Tributo in Re Maggiore<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>TOMASO ALBINONI (1671-1751)<\/p>\n<p><em>Sonata Op. 2 n. 6 in Sol minore<\/em><\/p>\n<p><em>Sonata Op. 2 n. 3 in Do Maggiore<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>GEORG PHILIPP TELEMANN (1671-1751)<\/p>\n<p><em>Sonata Op. 2 n. 6 in Sol minore<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Il Trattenimento Armonico<\/strong><\/p>\n<p>Nicola Reniero, Direttore al Cembalo<\/p>\n<p>Matteo Rozzi, violin I | Arianna Brandalise, violin II<br \/>\nMartina Pettenon, Viola Contralto<br \/>\nLuca Lazzarini, Viola Tenore<br \/>\nCaterina Colelli, Cello<\/p>\n<p>&nbsp;<\/p>\n<p>La scrittura a cinque parti per archi ha il suo periodo di maggiore sviluppo nel XVI e XVII secolo, per poi cadere in una progressiva desuetudine. L\u2019organico strumentale maggiormente utilizzato prevedeva due violini, viola da braccio contralto e tenore, violoncello e basso continuo. Di questo quintetto, lo strumento che subisce una progressiva dismissione \u00e8 la viola tenore, che in questa registrazione proponiamo nella sua originale montatura tardo seicentesca.<\/p>\n<p>&nbsp;<\/p>\n<p>The five-part writing for strings has its period of greatest development in the 16th and 17th centuries, only to fall into a progressive obsolescence. The most commonly used instrumental ensemble included two violins, alto and tenor viola da braccio, cello and basso continuo. Of this quintet, the instrument that undergoes a progressive dismissal is the viola tenore, which in this recording we propose in its original late seventeenth century mounting.<\/p>\n<p>&nbsp;<\/p>\n<p>1 CD<\/p>\n<p>2024<\/p>\n<p><iframe src=\"https:\/\/lnk.to\/ACinque\"width=\"400\" height=\"700\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Cinque\u00a0 String Sonatas between XVII &amp; XVIII Century &nbsp; GIOVANNI LEGRENZI (1626-1690) Sonata op. 8 n. 12 \u201cLa Marinona\u201d\u00a0 Sonata op. 8 n. 11 \u201cLa Fugazza\u201d &nbsp; GEORG MUFFAT (1653-1704) Sonata prima da Armonico Tributo in Re Maggiore &nbsp; TOMASO ALBINONI (1671-1751) Sonata Op. 2 n. 6 in Sol minore Sonata Op. 2 n.&hellip;<\/p>\n","protected":false},"featured_media":19197,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_cat":[162,3349,145,3372],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A Cinque - Urania Records<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uraniarecords.com\/de\/prodotto\/a-cinque\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Cinque - Urania Records\" \/>\n<meta property=\"og:description\" content=\"A Cinque\u00a0 String Sonatas between XVII &amp; 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