https:\/\/uraniarecords.com\/wp-content\/uploads\/2021\/10\/Text.indd_-1.pdf<\/a><\/p>\n <\/p>\n
2 CD<\/p>\n
ORCHESTRA BAROCCA DI CREMONA on original instruments<\/p>\n
Soloists
\nSofia Pezzi, soprano*
\nMarcella di Garbo, soprano**
\nCamilla Biraga, alto
\nDavide Rocca, bass<\/p>\n
Coro di ripieno***
\nGiovanna Aita, Daniela Aita, Alexandra Borisova
\nPaola Silva, Stefano Passalacqua, Sandro Gattorno<\/p>\n
Voci virili di Cremona (Gregorian chant)
\nDon Graziano Ghisolfi, Michele Bolzoni
\nAlessandro Ciapessoni, Federico Bergamaschi<\/p>\n
Continuo
\nLorenzo Fantinuoli, cello
\nSofia Ferri, theorbo
\nValentino Ermacora, organ<\/p>\n
Violins
\nLorenza Vaccaro, Fabio Francia, Federica Calcagno Francesca Del Grosso, Annalisa Del Grosso
\nDaria Anufrieva<\/p>\n
Fabio Francia, viola – Fabio Longo, violone<\/p>\n
<\/p>\n
Nella musica da chiesa del XVII secolo gli aspetti della tradizione rinascimentale e dell\u2019innovazione barocca si fusero nello stile concertato. I Salmi Concertati op. II di padre Francesco Antonio Urio inseriti nel presente Vespro dedicato alla Vergine, si collocano a pieno titolo in questo solco. Tale Vespro, che presentiamo in prima esecuzione moderna assoluta, mostra brani vocali a tre voci di qualit\u00e0 melodica non comune, dove lo stile imitativo, il contrappunto, l\u2019armonia modale, i numerosi cambi di tempo, i vari melismi e la gran quantit\u00e0 di diminuzioni sono prova di ragguardevole capacit\u00e0 compositiva.<\/p>\n
<\/p>\n
In seventeenth-century church music, features of the Re-naissance tradition (polyphony, modality) coexisted with elements of Baroque innovation (harmony, tonality) and merged into the concertato style. The Salmi Concertati op. II by Father Francesco Antonio Urio included in this Vespers dedicated to the Virgin, follow this transformation with full rights. The Vesprus, here in its first modern performance ever, shows vocal pieces for three voices of rare melodic quality where the imitative style, the counter-point, the modal harmony, the numerous tempo changes, the various melismata and a number of diminutions reveal remarkable compositional ability.<\/p>\n","protected":false},"excerpt":{"rendered":"
FRANCESCO ANTONIO URIO (1650 – after1719) VESPRO PER LA BEATA VERGINE Sinfonia in Re Maggiore (F.A. Arconati) Domine ad adiuvandum & Dixit Dominus Alma redemptoris Mater (F.M. Zuccari) Laudate Pueri Virgo prudentissima Laetatus sum Haec Virgo (F.M. Ferril) In odorem unguentorum Nisi Dominus Sinfonia in La Maggiore (F.A. Calegari) Ego flos campi Lauda Jerusalem Hodie…<\/p>\n","protected":false},"featured_media":16294,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_cat":[161,3347,87,3368],"product_tag":[],"yoast_head":"\n
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