{"id":19607,"date":"2024-09-13T06:38:57","date_gmt":"2024-09-13T06:38:57","guid":{"rendered":"https:\/\/uraniarecords.com\/prodotto\/beethoven-3-piano-sonatas-op-2-on-schantz-fortepiano\/"},"modified":"2024-09-16T13:36:16","modified_gmt":"2024-09-16T13:36:16","slug":"beethoven-3-piano-sonatas-op-2-on-schantz-fortepiano","status":"publish","type":"product","link":"https:\/\/uraniarecords.com\/en\/prodotto\/beethoven-3-piano-sonatas-op-2-on-schantz-fortepiano\/","title":{"rendered":"Beethoven: 3 piano sonatas, op. 2 on Schantz Fortepiano DIGITAL VERSION"},"content":{"rendered":"<p>Beethoven: 3 Piano Sonatas, op. 2 on Schantz Fortepiano<\/p>\n<p><em>Sonata No. 1 in F Minor<\/em><br \/>\n(Allegro | Adagio | Minuetto: Allegretto | Prestissimo)<\/p>\n<p><em>Sonata No. 2 in A Major<\/em><br \/>\n(Allegro vivace | Largo appassionato | Scherzo: Allegretto | Rond\u00f2: Grazioso)<\/p>\n<p><em>Sonata No. 3 in C Major<\/em><br \/>\n(Allegro con brio | Adagio | Scherzo: Allegro | Allegro assai)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ONLY DIGITAL VERSION<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>GIANMARIA BONINO<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"WDm70sseuy\"><p><a href=\"https:\/\/uraniarecords.com\/bonino-gianmaria-piano\/\">BONINO GIANMARIA, PIANO<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;BONINO GIANMARIA, PIANO&#8221; &#8212; Urania Records\" src=\"https:\/\/uraniarecords.com\/bonino-gianmaria-piano\/embed\/#?secret=WDm70sseuy\" data-secret=\"WDm70sseuy\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Fortepiano (Grand) built by Johann Schantz, Vienna c.1797 signed on oval plate on the front board: Johann Schantz in Wien case veneered in yew with four square tapered legs.<br \/>\ncase dimensions: cm 221x97x25<br \/>\nkeyboard compass F1-g3,<br \/>\nF1-bb1 bichord, b1-g3 trichord.<br \/>\ncontinuous bridge of black stained maple.<br \/>\nThree octave span mm 475.<br \/>\nNatural keys ebony covered, fruitwood sharps covered in ivory.<br \/>\nViennese action with brass Kapseln.<br \/>\nStops: two knee levers for raising the dampers (Forte), one had stop on front board for the moderator.<\/p>\n<p>The peculiarity of this recording lies in the instrument: an original Fortepiano by Johann Schantz c. 1796.<\/p>\n<p>&nbsp;<\/p>\n<div dir=\"auto\">Johann Schantz, or Schanz, was born in Kladrob,\u00a0 Bohemia, around 1762,\u00a0 and died in Vienna in 1828.<\/div>\n<div dir=\"auto\">In the Music Almanach, Jahrbuch der Tonkunst von Wien und Prag, Vienna 1796, J. F. Sch\u00f6nfeld writes that Johann Schanz was the second celebrated master fortepiano maker in Vienna, after Anton Walter, who had been first to introduce that instrument in Vienna, and that he (J. Schanz) had been working for himself after the death of his brother Wenzel in 1790. Sch\u00f6nfeld writes further that the tone of lightSchanz fortepiano&#8217;s was not as loud as Walter&#8217;s instruments, but very pleasant and clear, and about their touch also being very light and shallow.<\/div>\n<div dir=\"auto\">Sch\u00f6nfeld adds that Schanz instruments were actually copies of those made by the famous Stein of Augsburg, but we can now observe that, as far as we know, Schantz instruments combine constructive\u00a0 elements taken from both Stein and Walter fortepiano&#8217;s.<\/div>\n<p>&nbsp;<\/p>\n<p>Also, the recording technique by Eng. Andrea Ricci (Spirit Turin, leader in headphones) deserve some notes.<br \/>\nThis technique consists of using a microphone as a microphone resin head, in which 2 microphones have been inserted ear canals and in verifying correct sound performance by listening to the recording again after a few minutes from the performance of the concert by a committee of critical review using a headphone listening system Specially calibrated Spirit Torino.<br \/>\nWith the Spirit Binaural Recording system you will be able to obtain a particularly realistic listening experience both with traditional hi-fi systems and with headphones thanks to the fact that the Binaural Head that we use, manages to map the position and distance of sounds in it the way our brain does it. If you listen to this record closing your eyes, afterwards a few minutes it will be as if you were there with us, on the day of concert.<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"KLHhDQNHNV\"><p><a href=\"https:\/\/uraniarecords.com\/ricci-andrea-spirit-torino\/\">RICCI ANDREA SPIRIT TORINO<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;RICCI ANDREA SPIRIT TORINO&#8221; &#8212; Urania Records\" src=\"https:\/\/uraniarecords.com\/ricci-andrea-spirit-torino\/embed\/#?secret=KLHhDQNHNV\" data-secret=\"KLHhDQNHNV\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/lnk.to\/BeethBonino\" width=\"400\" height=\"700\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beethoven: 3 Piano Sonatas, op. 2 on Schantz Fortepiano Sonata No. 1 in F Minor (Allegro | Adagio | Minuetto: Allegretto | Prestissimo) Sonata No. 2 in A Major (Allegro vivace | Largo appassionato | Scherzo: Allegretto | Rond\u00f2: Grazioso) Sonata No. 3 in C Major (Allegro con brio | Adagio | Scherzo: Allegro |&hellip;<\/p>\n","protected":false},"featured_media":19550,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_cat":[3347,87,177,3269],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - 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