{"id":16978,"date":"2022-05-30T10:02:39","date_gmt":"2022-05-30T10:02:39","guid":{"rendered":"https:\/\/uraniarecords.com\/prodotto\/the-early-romantic-cello\/"},"modified":"2024-04-30T15:52:16","modified_gmt":"2024-04-30T15:52:16","slug":"the-early-romantic-cello","status":"publish","type":"product","link":"https:\/\/uraniarecords.com\/fr\/prodotto\/the-early-romantic-cello\/","title":{"rendered":"THE EARLY ROMANTIC CELLO"},"content":{"rendered":"
THE EARLY ROMANTIC CELLO<\/p>\n
IGNAZ jOSEPH PLEYEL (1757 \u2013 1831)<\/p>\n
Six sonates pour violoncelle avec accompagnement de basse (Paris, about 1796)<\/p>\n
Sonata N. 2 in E-flat Major<\/em> <\/p>\n FRANCOIS CUPIS DE RENOUSSARD (1732 \u2013 1808)<\/p>\n 3 Duos pour deux violoncelles (Paris, 1773)<\/p>\n Duet No. 2 op V in C Major<\/em><\/p>\n <\/p>\n DOMENICO LANZETTI (ca. 1730-1774)<\/p>\n Sonata per il violoncello e basso (copy about 1810)<\/p>\n Sonata in B-flat Major<\/em><\/p>\n <\/p>\n JEAN BALTHASAR TRICKLIR (1750 \u2013 1813)<\/p>\n Six sonates pour violoncelle et basse (Paris, 1783)<\/p>\n Sonata N. 1 in C Major<\/em> CLAUDIO RONCO – EMANUELA VOZZA<\/p>\n 1 CD<\/p>\n Questa selezione di composizioni cameristiche per il violoncello vuole far scoprire la graduale nascita dell\u2019idea romantica di musica nel pieno del periodo storico chiamato Classicismo. Sebbene ancora in parte formulate sul modello tardo settecentesco, queste opere si spingono oltre le consuete formule estetiche del loro tempo, mostrando le inquietudini e la curiosit\u00e0 per i nuovi orizzonti che il pensiero rivoluzionario aveva aperto agli occhi della mente degli europei, sulle orme del \u201csentimento\u201d e soprattutto di una nuova mitologia che, come scrisse Friedrich von Schlegel: \u201cdeve essere formata dalla profondit\u00e0 estrema dello spirito\u201d.<\/p>\n <\/p>\n ENGLISH VERSION<\/p>\n This selection of chamber compositions for the cello aims to reveal the gradual birth of the romantic idea of music in the middle of the historical period called Classicism. Although still partially formulated on the late eighteenth-century model, these works go beyond the usual aesthetic formulas of their time, showing the restlessness and curiosity for the new horizons that revolutionary thought had opened to the eyes of the European minds, in the footsteps of \u201csentiment\u201d and above all of a new mythology which, as Friedrich von Schlegel wrote: \u201cmust be formed by the extreme depth of the spirit\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":" THE EARLY ROMANTIC CELLO IGNAZ jOSEPH PLEYEL (1757 \u2013 1831) Six sonates pour violoncelle avec accompagnement de basse (Paris, about 1796) Sonata N. 2 in E-flat Major Sonata N. 6 in C minor Sonata N. 5 in E-flat Major FRANCOIS CUPIS DE RENOUSSARD (1732 \u2013 1808) 3 Duos pour deux violoncelles (Paris, 1773) Duet…<\/p>\n","protected":false},"featured_media":16971,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_cat":[163,3348,144],"product_tag":[],"yoast_head":"\n
\nSonata N. 6 in C minor<\/em>
\nSonata N. 5 in E-flat Major<\/em><\/p>\n
\nSonata N. 3 in B-flat Major<\/em><\/p>\n