EMANUEL SIPRUTINI (Netherlands c. 1730 – London c. 1790)<\/p>\n
SIX SOLOS FOR A VIOLONCELLO WITH BASS Op. VI (London, about 1763\/64)<\/p>\n
Sonata I in C Major<\/em> World premi\u00e8re recording<\/p>\n SIX SOLOS FOR A VIOLONCELLO WITH BASS Op. VII (London, about 1774\/75)<\/p>\n Sonata I in D Major<\/em> World premi\u00e8re recording as Duo<\/p>\n 2 CD<\/p>\n Claudio Ronco – Emanuela Vozza <\/p>\n Unita alla precedente incisione delle opere III e V, questa pubblicazione completa l\u2019opera di sonate per violoncello di Emanuel Siprutini. Di famiglia ebraica, nato forse in Olanda e giunto in Inghilterra a seguito del \u201cJewish naturalization act\u201d stabilito nel 1753 da re Giorgio II d\u2019Inghilterra, si stabil\u00ec a Londra come commerciante di vini, concertista e insegnante di violoncello ed ebbe fra i suoi allievi John Crosdill, il pi\u00f9 celebre violoncellista inglese del Settecento. Leopold Mozart incontr\u00f2 Siprutini nel 1764, durante il suo soggiorno in Inghilterra col prodigioso figlio ancora bambino. Colpito dal suo talento di violoncellista, tent\u00f2 di convincerlo a convertirsi al Cattolicesimo, ma Emanuel rimase serenamente ebreo. Tra il 1756 e il 1775 fece pubblicare quattro libri di sonate per il violoncello che certamente i Mozart possedettero, come vien da pensare ritrovandone tracce e frammenti d\u2019idee nelle pi\u00f9 belle opere di Wolfgang.<\/p>\n Combined with the previous recording of Opus III and V, this publication completes the oeuvre of cello sonatas by Emanuel Siprutini. Born in a Jewish family, perhaps in Hol-land, he arrived in England following the \u201cJewish naturalization act\u201d established in 1753 by King George II of En-gland, and he settled in London as a wine merchant, concert performer and cello teacher, having among his students John Crosdill, the most famous British cellist of the eighteenth century. Leopold Mozart met Siprutini in 1764, during his stay in England. Struck by the cellist\u2019s talent, he tried to convince him to convert to Catholicism, but Emanuel remained serenely Jewish. Between 1756 and 1775 he published four books of cello sonatas which the Mozarts certainly owned, as one might think by finding fragments and ideas in Wolfgang\u2019s most beautiful works.<\/p>\n
\nSonata II in F Major<\/em>
\nSonata III in D Major<\/em>
\nSonata IV in F Major<\/em>
\nSonata V in A Major<\/em>
\nSonata VI in D minor<\/em><\/p>\n
\nSonata II in F Major<\/em>
\nSonata III in A Major<\/em>
\nSonata IV in G Major<\/em>
\nSonata V in C Major<\/em>
\nSonata VI in B-flat Major<\/em><\/p>\n
\nOn original instruments<\/p>\n
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